In the garden

In the garden

“I’m trying to see the landscape. Besides Leonardo, the Renaissance and classical painting approached it from the perspective of form, somewhat like the gaze of a Greek statue. Impressionism approached it through light. Expressionism through emotional disfiguration. Modern art with the gaze of the city dweller and their distant vision in masses. Cézanne and De Staël painted splendid modern landscapes. Balthus, in his Italian landscapes, attempted to reconcile modern and classical visions. That of professional landscape painters calculates more than it sees. What’s ours? I don’t know. Here, in the garden, we oscillate between photographic striptease, luminous impression, the desire for form, and the premonition of its dislocation. Between the body of the landscape and the landscape of the body.”